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  <url>
    <loc>http://www.ashacanalos.com/the-curious-history-of-the-ramapos</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-10-16</lastmod>
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      <image:title>The Ramapos</image:title>
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      <image:title>The Ramapos</image:title>
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      <image:title>The Ramapos - The Ramapos</image:title>
      <image:caption>‘The Ramapos’ explores the diverse history of the Ramapo Mountains, a section of the Appalachians, which extend from Northern New Jersey into the Southern borders of New York state (Lenapehoking). The Ramapos have long been home to the Ramapough Lenape Nation, an Algonquian-speaking tribe of the Lenni-Lenape. During the American Revolution, and following, the Ramapos also became home to former Hessian mercenaries and British soldiers, Dutch immigrants, Africans who were formerly enslaved by NY's Dutch community, and migrant members of other Native American tribes. (Detail) Buck-step Dancing,... 2007.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/564e196ce4b0573c9084e710/1448134154136-GORBPT4U2Q6BRDQBCJLV/HessiansintheOrchards1777.jpg</image:loc>
      <image:title>The Ramapos</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/564e196ce4b0573c9084e710/1447983510110-RN9BF3Z70B1LXWFMEH9S/Hessians+in+the+Orchards_1777_detail.jpg</image:loc>
      <image:title>The Ramapos</image:title>
      <image:caption>Hessian mercenaries were sold by German royalty to the highest bidder during the American Revolution. Most were unable to return to their families in Germany, and many ended up abandoning their posts during the war. Several landed in the Ramapo Mountains, drifting North from battles in New York.       (Detail) Heading North,...2007</image:caption>
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      <image:title>The Ramapos</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/564e196ce4b0573c9084e710/1447983477550-F9U6OMGHGE5XHO7Z2C4A/Gathering+Arrowhead+by+the+Ribbon+Mills_1869_detail2.jpg</image:loc>
      <image:title>The Ramapos</image:title>
      <image:caption>As the Industrial Revolution began to set up shop along rivers in New York and New Jersey, a previously rural environment was forever changed. However, many Native and non-Native traditions of food foraging continued alongside the development, such as the gathering of starchy Arrowhead roots, and cattails, along the Ramapo River.       (Detail) Gathering Arrowhead,...2007.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/564e196ce4b0573c9084e710/1448134174764-ILIA4JOM1O1XE6V23AC4/NellieMannAtlanticCityNJ930.jpg</image:loc>
      <image:title>The Ramapos</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/564e196ce4b0573c9084e710/1447983608544-28QANES8VEUVK2BLDYVL/Nellie+Mann_Barnum+%26+Bailey+Circus_1930_detail2.jpg</image:loc>
      <image:title>The Ramapos</image:title>
      <image:caption>            (Detail) Nellie Mann,...2007  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/564e196ce4b0573c9084e710/1448144395256-C7TZBWGN4SLV9M3TRNRQ/Nellie+Mann_Barnum+%26+Bailey+Circus_1930_detail.jpg</image:loc>
      <image:title>The Ramapos</image:title>
      <image:caption>Nellie Mann was hired by Barnum &amp; Bailey as a circus performer in the 1930’s, and was subsequently billed as a 'wild aborigine girl from Australia.' When she protested, demanding to be called ‘a beautiful American albino, from our own Ramapo Mountains,’ she was fired. Mann became, however, somewhat of a local celebrity when the incident was reported in the New Yorker magazine in 1938, in an article by journalist George Weller.    (Detail) Nellie Mann,...2007</image:caption>
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      <image:title>The Ramapos</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/564e196ce4b0573c9084e710/1447983629012-05SDHVRGO9CE3P6SCYQ0/The+Iron-Working+Families+of+the+Ramapos_1942_detail.jpg</image:loc>
      <image:title>The Ramapos</image:title>
      <image:caption>            (Detail) Iron-working Families,... 2007.  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/564e196ce4b0573c9084e710/1448144479682-BHPWSRDK5O2ZG4D559IO/The+Iron-Working+Families+of+the+Ramapos_1942_detail2.jpg</image:loc>
      <image:title>The Ramapos</image:title>
      <image:caption>A great vein of iron ran through the Ramapo Mountains; the metal extracted from it became part of the ammunition for all of the U.S.’s first three wars, the Brooklyn Bridge, and later, large amounts of automotive steel. As greater amounts of it were discovered in the mountains, more and more Ramapo Mountain people became mining and iron-working families. By the forties, hundreds of mines existed in the Ramapo area. Through the following decades, the Southern edge of the Ramapos became a cultural hub for well-known writers and artists such as William Carlos Williams, Alan Ginsberg, Robert Smithson, and Bruce Springsteen. (Detail) The Iron-working Families,... 2007.</image:caption>
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      <image:title>The Ramapos</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/564e196ce4b0573c9084e710/1448145382483-N6D3BTRHLR5QDLQ5AUBP/GeneralMotors.jpg</image:loc>
      <image:title>The Ramapos</image:title>
      <image:caption>Ford Motor Company had one of its main factories in the Ramapo Mountains, which did boost local economy for years. However, decades later it was discovered that Ford had been illegally dumping tons of toxic paint sludge in nearby swamps and caves, which had seeped into the groundwater supply. Minor reparations have been made, but decades later, legal deliberations between Ford and the Ramapough Lenape continue. By the end of the 21st century, the Ramapo Mountains had become increasingly industrialized, and as waves of new immigrant communities populated the region, even more ethnically diverse. (Detail) Steel, Ford, Coming of Age,... 2007.</image:caption>
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      <image:title>The Ramapos</image:title>
      <image:caption>            Spring-time in the Ramapo Mountains, Matty Price Hill, 2007, 36.5" x 42.5", collaged drawing, mixed media, 2007.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/564e196ce4b0573c9084e710/1447983588745-Y337D2TNYBW1N5IQVUCO/MattyPriceDetail2.jpg</image:loc>
      <image:title>The Ramapos</image:title>
      <image:caption>            (Detail) Springtime in the Ramapo Mountains,... 2007.    </image:caption>
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      <image:title>The Ramapos</image:title>
      <image:caption>            (Detail) Springtime in the Ramapo Mountains,... 2007.  </image:caption>
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  </url>
  <url>
    <loc>http://www.ashacanalos.com/lotus-eater</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-01-06</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/564e196ce4b0573c9084e710/1447983969107-IMTS87ML49EGKMBIEDIT/1+copy.jpg</image:loc>
      <image:title>Lotus Eaters</image:title>
      <image:caption>Homer’s Odyssey describes, among many other adventures, the plight of Odysseus’s men on the Island of the Lotus-eaters, on their return voyage to Ithaca from Troy. Eating the native lotus and inadvertently succumbing to its narcotic properties, the sea-faring soldiers become waylaid, forgetful, and immobilized. Over a thousand years later, in 1832, this same legend was retold by Alfred Lord Tennyson in his poem, The Lotos-Eaters.  Tennyson’s visual description of the isle and its inhabitants, in particular, informed these collaged drawings of the same subject. The pieces are about a generalized complacency, a nostalgic, weary disengagement; a distracted ‘giving up’ on cultural, political and even personal levels- issues as relevant today as they were in ancient Greece or England in the 'Age of Enlightenment.' Island of the Lotus-Eaters: Perpetual Afternoon II, Colored pencil and ink on vellum and paper, approx. 8" x 10," 2006.  </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/564e196ce4b0573c9084e710/1447983969107-IMTS87ML49EGKMBIEDIT/1+copy.jpg</image:loc>
      <image:title>Lotus Eaters</image:title>
      <image:caption>Homer’s Odyssey describes, among many other adventures, the plight of Odysseus’s men on the Island of the Lotus-eaters, on their return voyage to Ithaca from Troy. Eating the native lotus and inadvertently succumbing to its narcotic properties, the sea-faring soldiers become waylaid, forgetful, and immobilized. Over a thousand years later, in 1832, this same legend was retold by Alfred Lord Tennyson in his poem, The Lotos-Eaters.  Tennyson’s visual description of the isle and its inhabitants, in particular, informed these collaged drawings of the same subject. The pieces are about a generalized complacency, a nostalgic, weary disengagement; a distracted ‘giving up’ on cultural, political and even personal levels- issues as relevant today as they were in ancient Greece or England in the 'Age of Enlightenment.' Island of the Lotus-Eaters: Perpetual Afternoon II, Colored pencil and ink on vellum and paper, approx. 8" x 10," 2006.  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/564e196ce4b0573c9084e710/1447983976623-1VZJG2CA8MZ04ZXQ6784/2+copy.jpg</image:loc>
      <image:title>Lotus Eaters</image:title>
      <image:caption>            Island of the Lotus-Eaters: The Saint Comes at Dusk II, Colored pencil and ink on vellum and paper, approx. 8" x 10," 2006.  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/564e196ce4b0573c9084e710/1448133451608-SP76889EB8EAQMN4GTGR/Yellow+Island.jpg</image:loc>
      <image:title>Lotus Eaters</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/564e196ce4b0573c9084e710/1448119350759-FURZNRE0ASNW8H7Q4FXH/Yellow%3ADetail%3AVI.jpg</image:loc>
      <image:title>Lotus Eaters</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/564e196ce4b0573c9084e710/1447984017558-KR09V5T5V6YAP7LOSCP0/stoic-girl-silver.jpg</image:loc>
      <image:title>Lotus Eaters</image:title>
      <image:caption>            The Stoicist (Odysseus), staples and pencil on paper and archival tape, approx. 12" x 8," 2006.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/564e196ce4b0573c9084e710/1447984021734-XSQVEP703JRDP8489LG9/stoic-girl-silver-reversed.jpg</image:loc>
      <image:title>Lotus Eaters</image:title>
      <image:caption>            The Stoicist (Odysseus)- Reverse Side, staples and pencil on paper and archival tape, approx. 12" x 8," 2006.                </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/564e196ce4b0573c9084e710/1448133450202-COHSR18FI2ZEM99XGCRB/Green+Island.jpg</image:loc>
      <image:title>Lotus Eaters</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/564e196ce4b0573c9084e710/1448119394056-DFHCQINGZ8LJSMSEN6VZ/Green%3ADetail%3AIII.jpg</image:loc>
      <image:title>Lotus Eaters</image:title>
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  </url>
  <url>
    <loc>http://www.ashacanalos.com/acts-of-folk-art</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-01-10</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/564e196ce4b0573c9084e710/1447984998323-ULIKLQ02W01S3F46SY1H/97WMSJixPP83kC1Y8agDj9OadKthdJ6NGaKGVa3ikEA%2CkO86hu5-bxz205UFL_OWvGe2GM2ktVd11zeKqjiyWZQ.jpeg</image:loc>
      <image:title>NY Activism + Activist Art</image:title>
      <image:caption />
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      <image:loc>https://images.squarespace-cdn.com/content/v1/564e196ce4b0573c9084e710/1447984998323-ULIKLQ02W01S3F46SY1H/97WMSJixPP83kC1Y8agDj9OadKthdJ6NGaKGVa3ikEA%2CkO86hu5-bxz205UFL_OWvGe2GM2ktVd11zeKqjiyWZQ.jpeg</image:loc>
      <image:title>NY Activism + Activist Art</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/564e196ce4b0573c9084e710/1447985490460-OBFD6MIG2SS9RLNUS069/ftppEYhXPuNdMhmi2zRbWHt5wG2zfzQJZAx655BSp7-guBtmTPpiz38TL7PZGyMMJjCUtSP0sQPVIcRu4tv2MRiOtYoEUEM741xVVYVHu6Hm2meywyQK4U4Vn2NgsJVZeK7Xd_gR-teIMgIwyfkmlDE7abqINYVpw2oR%3Ds0-d-e1-ft.jpg</image:loc>
      <image:title>NY Activism + Activist Art</image:title>
      <image:caption>In 2011, Asha Canalos, along with her neighbors in Minisink, NY, launched what would become a nearly four-year battle against the gas industry and the the Federal Energy Regulatory Commission (FERC)- the agency responsible for approving over 99% of all fracked gas infrastructure proposals submitted- when a compressor station was slated for their agricultural and residential community.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/564e196ce4b0573c9084e710/1447984960469-Y46MG94C1UPHXEPN1MIC/7m48Q5LCZ_2gEqjAfvasR9w40ONwfSDash8uO36bOgU%2CC_qNf43COqzGL5sNyPtPYIwW57eZ1rYn9cVis3bkV_8.jpeg</image:loc>
      <image:title>NY Activism + Activist Art</image:title>
      <image:caption>In October of 2012, Asha Canalos was arrested while peacefully blocking construction vehicles to the construction site of the Minisink Compressor Station, joining the first wave of New Yorkers to engage in civil disobedience in opposition to fracking infrastructure in the years after the Marcellus Shale 'gas boom.' It would be nearly two years before Minisink's case would be heard at the federal level, but in the Fall of 2012, through FERC's 'tolling orders,' Minisink residents were prevented from going to court while the pipeline company was allowed to proceed cutting trees and beginning construction.   Photographs (this and 3 previous images), Yorke Flynn, 2012.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/564e196ce4b0573c9084e710/1448154133715-D73BSHNPWSBLIK20OQFV/Docket+Number+mockup.jpg</image:loc>
      <image:title>NY Activism + Activist Art</image:title>
      <image:caption>By April of 2013, Minisink had begun banding together with other communities fighting gas infrastructure in NY, PA, NJ, and MD. Minisink residents had initiated the first organized (mostly) silent protests at FERC monthly meetings in Washington, D.C. in early 2012. In April of 2013, Canalos and several others organized the first multi-state, multi-group protest at FERC headquarters. Canalos designed t-shirts emblazoned with a stamp for the event, signifying FERC's track record of rubber-stamping projects in favor of the industry. 'Docket No.' stamps allowed for each group to write in fabric marker the FERC code for the project they were impacted by, and actively fighting- and in the process, reclaim agency.</image:caption>
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      <image:title>NY Activism + Activist Art</image:title>
      <image:caption>'We the People Matter Day of Action,' in April of 2013, was the first multi-state protest at FERC headquarters. Members of impacted communities wore Canalos's 'Docket No.' shirts during the meeting, and held up signs forming different messages during the course of the hour-long Commissioner's meeting. Groups represented that day included Minisink Matters, Stop the Minisink Compressor Station, Stop the (Constitution) Pipeline, Myersville Citizens for a Rural Community, Chesapeake Climate Action Network, Stop the Rockaway Pipeline, and Sane Energy Project.</image:caption>
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      <image:title>NY Activism + Activist Art</image:title>
      <image:caption>'We the People Matter day of Action' protests were partially recorded by FERC's closed-circuit cameras, becoming a permanent part of FERC's own records.         Screen shot, video, FERC Monthly Commission Meeting, 2013.</image:caption>
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      <image:title>NY Activism + Activist Art</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/564e196ce4b0573c9084e710/1447985283643-9YOGW38030OAI2SGEXS4/Back+Truck.jpg</image:loc>
      <image:title>NY Activism + Activist Art</image:title>
      <image:caption>Another beloved member of the Minisink community, Doug Burd, a mechanic, American veteran, and longtime resident of Minisink took it upon himself to start fixing the cars of families impacted by/battling the Minisink compressor. He also created, with help from Minisink residents, the 'Minisink Matters Truck,' which was permanently parked at rallies and events in Minisink; which was gloriously driven several times around Union Square at the 'Minisink Matters' Rally in 2013; and with which hayrides were given to children at a Stop the TGP Rally in Minisink's PA sister city, Milford, just across the Delaware. This image is a tribute to Doug and his truck, and it became a regular graphic for Minisink Matters. Minisink Matters Truck, 2012.</image:caption>
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      <image:title>NY Activism + Activist Art</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/564e196ce4b0573c9084e710/1447984894996-4F8X4G3YP9FZMJMGO32X/-1.jpg</image:loc>
      <image:title>NY Activism + Activist Art</image:title>
      <image:caption>In the summer of 2013, Canalos co-organized a rally at Senator Gillibrand's office in NYC. Minisink residents called on Giliibrand- who ran a campaign based on her support of 9/11 First Responders, upstate farmers, and mothers/families- to act on behalf of her constituents to help shut down the Minisink compressor station. When no one from Gillibrand's office would come downstairs to receive the letter prepared by Canalos on behalf of the community, and after audio equipment failed, the letter was read out loud by bullhorn.</image:caption>
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      <image:title>NY Activism + Activist Art</image:title>
      <image:caption>Canalos reads Minisink's letter to Senator Gillibrand by bullhorn at the 2013 Rally held in front of her NYC offices. A full video of the event, prepared by Peter Eliscu for Environment TV, can be found here.</image:caption>
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      <image:title>NY Activism + Activist Art</image:title>
      <image:caption>In October of 2013, Canalos co-organized and MC'd the 'Minisink Matters- Save the Black Dirt Region' Rally at Union Square in NYC. The rally served to educate NYC consumers about the risks of fracking infrastructure to the city's foodshed- especially organic and local foods. Additionally, the rally helped foster awareness of Minisink's case at the U.S. Court of Appeals, and to garner needed funding for Minisink's ongoing legal fees. Special guests included playwright and activist Eve Ensler; founder of The Mothers Project, Angela Monti Fox; Co-founder and co-director of Sane Energy Project, Clare Donohue; Kady Ferguson of the Brooklyn Food Coalition; and Will Blunt of Chefs for the Marcellus. Photo- Asha Canalos and Kim Fraczek of Sane Energy Project- Michelle Susan, 2013.    </image:caption>
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      <image:title>NY Activism + Activist Art</image:title>
      <image:caption>Eve Ensler, an early and continuous supporter, spoke passionately about the need to protect our planet and our collective futures at the 'Minisink Matters' Rally at Union Square. Canalos received a grant for her work as an artist involved in community-organizing from Eve Ensler and her organization, V-Day, which partially funded Minisink's fight at the U.S. Court of Appeals.         Photo Michelle Susan, 2013.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/564e196ce4b0573c9084e710/1448033541388-W9PKEP1Q489GS5JWI4L8/_DSC0400+copy.jpg</image:loc>
      <image:title>NY Activism + Activist Art</image:title>
      <image:caption>In 2014, Sane Energy Project (NYC) and community organizers across the state collaborated on the first comprehensive, interactive map of gas infrastructure and resistance in NY, the You Are Here project (YAH). Canalos was a contributor to the map and helped shape informative talks given in NY and regionally. In 2014, You Are Here was presented at the People's Climate March in NYC. Pictured here is Minisink resident Doug Burd, Asha Canalos, and local activist Melanie Gold, at the proposed site of the CPV Valley fracked gas power plant in Wawayanda, NY.  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/564e196ce4b0573c9084e710/1447984716447-RDLBF9TLKKASU68EC5C9/TEThWPmuGxD7qlSm8DSZx83Q-40fvv0K-5MsJvzS2rGcVigMYiLlkEPyOaX5Kq7LhBOF97bZMHlvRSW4pJRc-8tnteAD-bQyv8DwjenPkTmGgBV42sflppQtHiBQuQVBAKxgQF9Ex9H9zqOsBCEX64QG8lGZptU1w0n-jWuK-TpT9SpN-9vM-x3VcSiiekRQXavhZGNh2UO5U_VpoiuAaD_Rfz4.jpg</image:loc>
      <image:title>NY Activism + Activist Art</image:title>
      <image:caption>Vera Scroggins is a legendary community organizer and citizen journalist, who has for years given tours of the damage caused by fracking in Pennsylvania- engaging numerous elected officials, members of the press, notable celebrities, and international audiences. Scroggins was among the first activists to reach out to the Minisink community in 2011, attending rallies and supporting early efforts at opposition. In 2015, Scroggins was taken to court by the gas industry, on false charges of trespass, during which pipeline lawyers demanded her private communications be subpoenaed. Canalos designed images to help Scroggins raise funds for her defense. This image was used by The Mothers Project during a funds drive for Scroggins in 2015.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/564e196ce4b0573c9084e710/1447984701708-YJ38CWTKJ1XP5M5XNP7T/c17DIiRgUUSmQgjQqJLqei_MTBQOBKRy1tRlCJ-N2TtmrHolh2o1QhTPO0TAQ6q8Sa7Wgm5Y-tQIZz7OtIFZ6tqFqEmBK256FfDkWehElgheK9uYDnJvuItgq6DYi-cw9EYZ8FfGiYKmZeom_AOfOhcP_Vg_dogE06RNl7jnsLcUVwE5oIB2XgetzF1nyfSAYH1W5eM0_wLa2hyxkaciaZfT3vu.jpg</image:loc>
      <image:title>NY Activism + Activist Art</image:title>
      <image:caption>This image of Vera Scroggins was created by Canalos to assist with ongoing fundraising required for Scroggins' legal defense and court costs in 2015. The image was used in this video by Environment TV, this and other articles by journalist Paul Stark, other connected campaigns, and on social media platforms, amplifying Scroggins' message and helping to inform and engage the public.</image:caption>
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    <image:image>
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      <image:title>NY Activism + Activist Art</image:title>
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  <url>
    <loc>http://www.ashacanalos.com/whiskey-creek</loc>
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    <lastmod>2015-11-23</lastmod>
    <image:image>
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      <image:title>Whiskey Creek - Whiskey Creek, 2009-2010</image:title>
      <image:caption>Whiskey Creek is an interdisciplinary and unofficial history of the Whiskey Creek, on Cape Fear, in North Carolina, created in collaboration with artist John Wilkes (NYC) and educator, Jim Nesbit (Wilmington, NC). Through performance, video, sculptural installations, and photographs, Whiskey Creek explores the historical associations of a small, tidal creek along North Carolina's Outer Banks- from its Colonial past and Pirate stories, to the role it played in harboring bootlegged whiskey during Prohibition years.   Photo by John Wilkes, 2009.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Whiskey Creek - Whiskey Creek, 2009-2010</image:title>
      <image:caption>Whiskey Creek is an interdisciplinary and unofficial history of the Whiskey Creek, on Cape Fear, in North Carolina, created in collaboration with artist John Wilkes (NYC) and educator, Jim Nesbit (Wilmington, NC). Through performance, video, sculptural installations, and photographs, Whiskey Creek explores the historical associations of a small, tidal creek along North Carolina's Outer Banks- from its Colonial past and Pirate stories, to the role it played in harboring bootlegged whiskey during Prohibition years.   Photo by John Wilkes, 2009.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/564e196ce4b0573c9084e710/1448159930250-SYONNXBOACRT8JPHMB85/ffloating+eye+whiskey+creek.jpg</image:loc>
      <image:title>Whiskey Creek</image:title>
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    <image:image>
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      <image:title>Whiskey Creek</image:title>
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      <image:title>Whiskey Creek</image:title>
      <image:caption>            Set shot, Photo John Wilkes, 2009</image:caption>
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    <image:image>
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      <image:title>Whiskey Creek</image:title>
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    <image:image>
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      <image:title>Whiskey Creek</image:title>
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    <image:image>
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      <image:title>Whiskey Creek</image:title>
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      <image:title>Whiskey Creek</image:title>
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    <image:image>
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      <image:title>Whiskey Creek</image:title>
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    <image:image>
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      <image:title>Whiskey Creek</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/564e196ce4b0573c9084e710/1448159976872-S2ICH56ACJMO7W3YXZOU/JamesStill1.jpg</image:loc>
      <image:title>Whiskey Creek</image:title>
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    <image:image>
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      <image:title>Whiskey Creek</image:title>
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    <image:image>
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      <image:title>Whiskey Creek</image:title>
      <image:caption>              Set shot, photo John Wilkes, 2009.</image:caption>
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    <image:image>
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      <image:title>Whiskey Creek</image:title>
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    <image:image>
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      <image:title>Whiskey Creek</image:title>
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  </url>
  <url>
    <loc>http://www.ashacanalos.com/mid-atlantic-points</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-01-30</lastmod>
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      <image:title>Mid-Atlantic Points</image:title>
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      <image:title>Mid-Atlantic Points</image:title>
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      <image:title>Mid-Atlantic Points</image:title>
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      <image:title>Mid-Atlantic Points</image:title>
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      <image:title>Mid-Atlantic Points</image:title>
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      <image:title>Mid-Atlantic Points</image:title>
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      <image:title>Mid-Atlantic Points</image:title>
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      <image:title>Mid-Atlantic Points</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/564e196ce4b0573c9084e710/1447983134573-HIOLP42F4803GXNYSY50/PaceImage04.jpg</image:loc>
      <image:title>Mid-Atlantic Points</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/564e196ce4b0573c9084e710/1448147936493-DQ3D3JOW1FX3SWC4SFLU/Powhattan+village+full.jpg</image:loc>
      <image:title>Mid-Atlantic Points</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/564e196ce4b0573c9084e710/1447983157675-5EQMSSJ5RCH0HQ6P26GF/Powhatan+village+crop5.jpg</image:loc>
      <image:title>Mid-Atlantic Points</image:title>
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  </url>
  <url>
    <loc>http://www.ashacanalos.com/the-edges</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-12-17</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/564e196ce4b0573c9084e710/1448045518149-WA4P53OMTJ6WR8SB1886/IMG_0641.jpg</image:loc>
      <image:title>The Edges</image:title>
      <image:caption>The Edges is an ongoing series, a tribute to the ever-mysterious and adaptive borders of natural and urban worlds; the grey area between the past, present, and future; and the liminal space of visions and dreams.         Artemis II, colored pencil on collaged paper, 2011.  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/564e196ce4b0573c9084e710/1448045518149-WA4P53OMTJ6WR8SB1886/IMG_0641.jpg</image:loc>
      <image:title>The Edges</image:title>
      <image:caption>The Edges is an ongoing series, a tribute to the ever-mysterious and adaptive borders of natural and urban worlds; the grey area between the past, present, and future; and the liminal space of visions and dreams.         Artemis II, colored pencil on collaged paper, 2011.  </image:caption>
    </image:image>
    <image:image>
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      <image:title>The Edges</image:title>
      <image:caption>            Artemis I, colored pencil on collaged paper, 2011.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/564e196ce4b0573c9084e710/1448241993073-FL7YYIK9OF4L7AEW4FVL/Myth_Mountain_CardTitle.jpg</image:loc>
      <image:title>The Edges</image:title>
      <image:caption>            The Myth &amp; the Mountain, show-card and poster design for the artists' collective, COHORT presents, 2011.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/564e196ce4b0573c9084e710/1448045496865-Z5OK9ICUNOLRM63D5SJS/ghost-car.jpg</image:loc>
      <image:title>The Edges</image:title>
      <image:caption>            Ghost Car, The Gardener Series, ink on paper, 2006.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/564e196ce4b0573c9084e710/1448045483081-S2226JVV1IT7FVV27PUF/dredging-the-lake_2.jpg</image:loc>
      <image:title>The Edges</image:title>
      <image:caption>            Dredging the Pond, The Gardener Series, graphite on paper, 2006.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/564e196ce4b0573c9084e710/1448080462288-C17AQ7YU9PKMR52PDCCA/bigpainting.jpg</image:loc>
      <image:title>The Edges</image:title>
      <image:caption>          Minnie Mentalizing in the Catskills, acrylic and colored pencil on paper, approx 12”x21,” 2010-11.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/564e196ce4b0573c9084e710/1448241654904-I8RGEQ9FZ7XL847SPMFP/narrative_04+%281%29.jpg</image:loc>
      <image:title>The Edges</image:title>
      <image:caption>            Snake in the Hand, oil on gessoed paper, 2000.  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/564e196ce4b0573c9084e710/1448240204448-OY217BZ97Z88HZPQNZLT/Bird+on+the+Finger.jpg</image:loc>
      <image:title>The Edges</image:title>
      <image:caption>            Bird on the Finger, oil on gessoed paper, 2000.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/564e196ce4b0573c9084e710/1448045547832-DS7GW8L8Q9Y3MDCLBABQ/the-last-straw.jpg</image:loc>
      <image:title>The Edges</image:title>
      <image:caption>            Fire at the Fire Station; The Last Straw, colored pencil and acrylic on paper, 2006.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/564e196ce4b0573c9084e710/1448239198261-3X646VFSD41E0P4GGMY3/International%3AAgents%3AII-filtered-1.jpg</image:loc>
      <image:title>The Edges</image:title>
      <image:caption>            Spies in Europe, pencil and gouache on paper, 2003.  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/564e196ce4b0573c9084e710/1448148278156-0T49SAR5Q2IMDCLYPSZF/White+House+Tiles.jpg</image:loc>
      <image:title>The Edges</image:title>
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      <image:title>The Edges</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/564e196ce4b0573c9084e710/1448078269734-H5D0I0HWM7OIVQMOP0JJ/Asha_Canalos_3.jpg</image:loc>
      <image:title>The Edges</image:title>
      <image:caption>              American Ghost Stories II, oil on canvas, 2006</image:caption>
    </image:image>
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      <image:title>The Edges</image:title>
      <image:caption>            The Letter, acrylic on paper-board, 2001.  </image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/564e196ce4b0573c9084e710/1448239183255-6D7UA5V224SVE1QLW1VV/The%3APowerlines%3ATwilight.jpg</image:loc>
      <image:title>The Edges</image:title>
      <image:caption>            The Power-lines, oil on canvas, 2004</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/564e196ce4b0573c9084e710/1448238988720-2O8288RKQNAQ6201I32C/Fantasy+Diptych+2.jpg</image:loc>
      <image:title>The Edges</image:title>
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  </url>
  <url>
    <loc>http://www.ashacanalos.com/momentum-gallery-test</loc>
    <changefreq>daily</changefreq>
    <priority>1.0</priority>
    <lastmod>2025-09-23</lastmod>
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      <image:title>Home</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/564e196ce4b0573c9084e710/1448238837051-FAB6ND53JDH1WWUZZA4I/Fantasy+Diptych+2+No+Text.jpg</image:loc>
      <image:title>Home</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/564e196ce4b0573c9084e710/1580603940294-D3EHV1P6PPM18PJA8WSN/Canalos_10.jpg</image:loc>
      <image:title>Home</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/564e196ce4b0573c9084e710/1603689273452-N40NYR6DK8Q3MWE1SFUV/Daniel%2Bfull%2Bcrop.jpg</image:loc>
      <image:title>Home</image:title>
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      <image:title>Home</image:title>
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      <image:title>Home</image:title>
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      <image:title>Home</image:title>
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  <url>
    <loc>http://www.ashacanalos.com/nm-activism-activist-art</loc>
    <changefreq>daily</changefreq>
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    <lastmod>2023-01-07</lastmod>
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      <image:title>NM Activism + Activist Art</image:title>
      <image:caption>Kendra Pinto, Protector, colored pencil and acrylic on pencil, 2016. From New Mexico Story Power, an online interview and portrait series featuring frontline advocates and activists in New Mexico, created in attempts to broaden the climate justice movement’s base and to raise public awareness of local threats from fracking.</image:caption>
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      <image:title>NM Activism + Activist Art</image:title>
      <image:caption>Kendra Pinto, Protector, colored pencil and acrylic on paper, 46” x 40,” 2016. From New Mexico Story Power, an online interview and portrait series featuring frontline advocates and activists in New Mexico, created in attempts to broaden the climate justice movement’s base and to raise public awareness of local threats from fracking. The interviews from this project have recently been archived on this site. For the full interview with Kendra Pinto, click here</image:caption>
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      <image:title>NM Activism + Activist Art</image:title>
      <image:caption>Miya King-Flaherty, Protector, colored pencil and acrylic on paper, 32” x 44”, 2017. From New Mexico Story Power, an online interview and portrait series featuring frontline advocates and activists in New Mexico, created in attempts to broaden the climate justice movement’s base and to raise public awareness of local threats from fracking. The interviews from this project have recently been archived on this site. To read the full interview with Miya King-Flaherty, click here.</image:caption>
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      <image:caption>Mike Eisenfeld, Protector, colored pencil and acrylic on paper, 38” x 32”, 2017. From New Mexico Story Power, an online interview and portrait series featuring frontline advocates and activists in New Mexico, created in attempts to broaden the climate justice movement’s base and to raise public awareness of local threats from fracking. The interviews from this project have recently been archived on this site. For the full interview with Mike Eisenfeld, click here.</image:caption>
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      <image:caption>Daniel Tso, Protector, colored pencil and acrylic on paper, 40” x 36”, 2017. From New Mexico Story Power, an online interview and portrait series featuring frontline advocates and activists in New Mexico, created in attempts to broaden the climate justice movement’s base and to raise public awareness of local threats from fracking. The interviews from this project have recently been archived on this site. For the full interview with Daniel Tso, click here.</image:caption>
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      <image:caption>‘Songs From the Extraction Zones: A Symposium and Exhibition on Fracking in New Mexico,’ Asha Canalos for New Mexico Story Power, hosted by The Santa Fe Art Institute, exhibition co-curated by Asha Canalos and Toni Gentilli. Photo montage of symposium and exhibit opening, April 28, 2017 (photo credits Lobsang Tenzin). Canalos co-organized this symposium along with colleagues at New Mexico Story Power and SFAI; the panel discussion included several notable anti-fracking advocates in the Greater Chaco region. Canalos also co-curated the accompanying exhibit with SFAI residency manager, Toni Gentilli; the exhibit featured artwork and performances by prominent artist-activists, Rulan Tangen of Dancing Earth, Cannupa Hanska Luger/ WINTER COUNT, Lynnette Haozous, and Lyla June Johnston, among others. To learn more about the exhibit please visit SFAI’s event page. To learn more about the issues and presenters, a video of the symposium is available here .</image:caption>
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      <image:caption>‘The Greater Chaco Benefit Auction,’ Asha Canalos for New Mexico Story Power, hosted by The Santa Fe Art Institute. Photo montage of benefit auction, May 15, 2018 (photo credits Renee Innis). Canalos directed and curated this art auction for New Mexico Story Power and the Greater Chaco Coalition, which generated over $10,000 for Greater Chaco Coalition projects, such as indigenous-led media efforts and health and air monitoring in the Greater Chaco region. To learn more about this event, please visit SFAI’s event page.</image:caption>
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      <image:caption>The Greater Chaco Art Zines, 2018. These three zines address the harms of fracking on communities in the Greater Chaco area. They were made in collaboration with Diné and Pueblo community leaders, members of The Greater Chaco Coalition, who generously met with us to discuss how fossil fuel development has impacted their communities. Canalos led this project as Visiting Artist with the Land Arts of the American West artists in a collaborative and community-engaged effort to amplify the harms of fracking upon communities, ecosystems, and climate in New Mexico. The zines have been widely distributed at community and cultural events and centers, have been used in curricula in several colleges &amp; universities, and are available to view here. In the Spring of 2019, the Chaco Art Zine, ‘Imbalance’ was censored by the New Mexico Museum of Art and the New Mexico Department of Cultural Affairs from an exhibit in the museum. In December of 2019, the artists launched a website detailing the censorship through a comprehensive timeline and requested IPRA documents: Greater Chaco Art Zines. They also created a petition, ‘Tell the New Mexico DCA &amp; Museum of Art: Come Clean About Policy on Exhibiting Artworks Addressing the Fossil Fuel Industry in New Mexico.’</image:caption>
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      <image:caption>'The Magic of This Place,’ Ink on paper, 10” x 12.5”, for the Land Arts of the American West/Greater Chaco Coalition Zines, 2018. This image, a visualization of Diné community leader Mario Atencio's description of the significance of Chaco's alignments with the stars, sun, and moon, is one of Canalos’s contributions to the zines.</image:caption>
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      <image:caption>‘Plants and People Kicking Ass Together (Plants, People, and the Work That Lies Before Us),’ 2019. Drawing on experiences with activism, and studies in herbalism, Canalos created an essay and artwork on these themes for the publication, Tool Book Volume III: WORKBOOK, curated and edited by Sarah Sharp. This image, hand-illustrated in ink, was designed as a fold-out 11” x 17” poster, printed via risograph. The essay which accompanies it, ‘Plants, People, and the Work That Lies Before Us,’ can be found here.</image:caption>
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      <image:caption>‘Dara in the Bosque,’ Ink on paper, 8" x 12", 2020. From ‘Dara &amp; The West Mesa': a short-form illustrated interview with eco-herbalist and author, Dara Saville, exploring her intense, multi-faceted relationship to land and place. This piece was published in SeedBroadcast Journal in the Fall of 2020. It can be read in full, with both imagery and text, here, on p.34.</image:caption>
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      <image:caption>‘West Mesa,’ Ink on paper, 8" x 12", 2020. From ‘Dara &amp; The West Mesa': a short-form illustrated interview with eco-herbalist and author, Dara Saville, exploring her intense, multi-faceted relationship to land and place. This piece was published in SeedBroadcast Journal in the Fall of 2020. It can be read in full, with both imagery and text, here, on p.34.</image:caption>
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      <image:caption>‘Called to the Mesa,’ Ink on paper, 8" x 12", 2020. From ‘Dara &amp; The West Mesa': a short-form illustrated interview with eco-herbalist and author, Dara Saville, exploring her intense, multi-faceted relationship to land and place. This piece was published in SeedBroadcast Journal in the Fall of 2020. It can be read in full, with both imagery and text, here, on p.34.</image:caption>
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      <image:title>NM Activism + Activist Art</image:title>
      <image:caption>‘Dara and the West Mesa,’ Ink on paper, 8" x 12", 2020. From ‘Dara &amp; The West Mesa': a short-form illustrated interview with eco-herbalist and author, Dara Saville, exploring her intense, multi-faceted relationship to land and place. This piece was published in SeedBroadcast Journal in the Fall of 2020. It can be read in full, with both imagery and text, here, on p.34.</image:caption>
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      <image:caption>‘River at Dawn,’ Acrylic and colored pencil on collaged paper, 10” x 14”, 2021.</image:caption>
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  <url>
    <loc>http://www.ashacanalos.com/portraits</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-01-30</lastmod>
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      <image:title>Portraits 1996-2009</image:title>
      <image:caption>Self-portrait in kitchen window. 1999. Charcoal on paper, 9” x 10.5".”</image:caption>
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      <image:caption>Self-portrait in kitchen window. 1999. Charcoal on paper, 9” x 10.5".”</image:caption>
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      <image:title>Portraits 1996-2009</image:title>
      <image:caption>Joey Squeeze, in memoriam. 1998. Acrylic on handmade paper, 12” x 8.5.”</image:caption>
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      <image:caption>Kathe Squeeze Canalos. 1998. Acrylic on canvas, 20” x 16.”</image:caption>
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      <image:caption>Kadijah, Yellow Springs. 1999. Acrylic on wood, 48” x 36.”</image:caption>
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      <image:caption>Sarah. 1998. Pencil and pastel on paper 22” x 18.”</image:caption>
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      <image:caption>Eddie. 1999. Ink on paper, 8” x 11.5.”</image:caption>
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      <image:caption>Harold Wright, Yellow Springs. 1999. Charcoal on paper, 8” x 12.”</image:caption>
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      <image:caption>Joachim in Columbus, Ohio. 1999. Charcoal on paper, 18” x 9.”</image:caption>
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      <image:title>Portraits 1996-2009</image:title>
      <image:caption>Emily in Columbus. 1999. Acrylic on wood, 20” x 10.5.”</image:caption>
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      <image:title>Portraits 1996-2009</image:title>
      <image:caption>Saul at Antioch. 1999. Charcoal on paper, 18” x 14.”</image:caption>
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      <image:caption>Saul, Yellow Springs, Ohio. 1999. Glazed and kiln-fired earthenware tiles, 8” x 16.”</image:caption>
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      <image:title>Portraits 1996-2009</image:title>
      <image:caption>Self-portrait from shower stall. 2008. Ink on paper, 10” x 8.”</image:caption>
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      <image:caption>Self-portrait with orchid. 2002. Ink on paper, 10” x7.5.”</image:caption>
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      <image:title>Portraits 1996-2009</image:title>
      <image:caption>Anne, sleeping. 2001. Ink on wallpaper fragment, 10” x 11.5.”</image:caption>
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      <image:title>Portraits 1996-2009</image:title>
      <image:caption>Rachel on the phone. 2003. Mixed media on wood, 8” x 13.5".”</image:caption>
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      <image:title>Portraits 1996-2009</image:title>
      <image:caption>James. 2002. Glazed and kiln-fired terracotta tiles, metal keys, glue. 12” x 12.”</image:caption>
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      <image:title>Portraits 1996-2009</image:title>
      <image:caption>Self-portrait in the shape of Ohio. 1999. Fired and glaze earthenware tile, approx. 12” x 12.”</image:caption>
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      <image:title>Portraits 1996-2009</image:title>
      <image:caption>Kirsten, sleeping, books all around her. 2002. Ink and gouache on paper, 6” x 8.5".”</image:caption>
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  </url>
  <url>
    <loc>http://www.ashacanalos.com/the-brain-in-the-woods</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-03-24</lastmod>
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      <image:title>The Brain In The Woods</image:title>
      <image:caption>Neurological Pathway I (Motherwort). 2025. 16" x 11". Acrylic, ink, colored pencil on collaged archival paper with risograph print overlay.</image:caption>
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      <image:title>The Brain In The Woods</image:title>
      <image:caption>Neurological Pathway I (Motherwort). 2025. 16" x 11". Acrylic, ink, colored pencil on collaged archival paper with risograph print overlay.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/564e196ce4b0573c9084e710/1767651349913-8HHMRTKTHSVX9QGCQR43/NeurologicalPathway2.jpg</image:loc>
      <image:title>The Brain In The Woods</image:title>
      <image:caption>Neurological Pathway II (Motherwort).. 2025. 16" x 11". Acrylic, ink, colored pencil on collaged archival paper with risograph print overlay.</image:caption>
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      <image:title>The Brain In The Woods</image:title>
      <image:caption>Lambsquarters on a Footpath: Up A Slope. 2025. Acrylic, ink, and colored pencil on collaged archival paper, 17” x 11.5.”</image:caption>
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      <image:title>The Brain In The Woods</image:title>
      <image:caption>Lambsquarters on A Path: Information-Sharing. 2025. Acrylic, ink, and colored pencil on collaged archival paper, 17” x 11.5.”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/564e196ce4b0573c9084e710/1767673802709-I3IKWDQ49H6S379WLMS5/Datura%2C+Mallow%2C+Juniper%2C+Sage.jpeg</image:loc>
      <image:title>The Brain In The Woods</image:title>
      <image:caption>Datura, Mallow, Juniper, Sage. 2019. Colored pencil and ink on vellum, 8” x 14.”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/564e196ce4b0573c9084e710/1774347113581-ZA4IWH4SMBWCKKW5L41P/IMG_3304.jpg</image:loc>
      <image:title>The Brain In The Woods</image:title>
      <image:caption>Return of the Light. 2026. 16” x 14". Acrylic, ink, colored pencil on collaged archival paper.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.ashacanalos.com/portraits-20102026</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-01-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/564e196ce4b0573c9084e710/1767618459070-KB7PEDNYJ48R5P4QCEHA/Eva_lg.jpg</image:loc>
      <image:title>Portraits 2010-2026</image:title>
      <image:caption>Eva Davidova, Orchard St., Lower East Side. 2010. Acrylic, colored pencil, ink, and staples on archival paper, 15” x 15.” From the series Artists in the City.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/564e196ce4b0573c9084e710/1767618459070-KB7PEDNYJ48R5P4QCEHA/Eva_lg.jpg</image:loc>
      <image:title>Portraits 2010-2026</image:title>
      <image:caption>Eva Davidova, Orchard St., Lower East Side. 2010. Acrylic, colored pencil, ink, and staples on archival paper, 15” x 15.” From the series Artists in the City.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/564e196ce4b0573c9084e710/1767618358187-XDVQMJ8BX7QTDYEMZADP/Derick_lg.jpg</image:loc>
      <image:title>Portraits 2010-2026</image:title>
      <image:caption>Deric Carner at Julius, West Tenth St., Greenwich Village. 2010. Acrylic, colored pencil, ink, and staples on archival paper, 15” x 15.” From the series Artists in the City.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/564e196ce4b0573c9084e710/1767618383368-UX8MCQ1HVG37A6NRHUAH/Bami_lg.jpg</image:loc>
      <image:title>Portraits 2010-2026</image:title>
      <image:caption>Bami Adedoyin, Kingsland Ave, Williamsburg. 2010. Acrylic, colored pencil, ink, and staples on archival paper, 15” x 15.” From the series Artists in the City.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/564e196ce4b0573c9084e710/1767618401505-O0XUR9W2N4R8SUKDVZ59/Andrew_lg.jpg</image:loc>
      <image:title>Portraits 2010-2026</image:title>
      <image:caption>Andrew McNay, Mother’s Bar, Graham Ave, Williamsburg. 2010. Acrylic, colored pencil, ink, and staples on archival paper, 15” x 15.” From the series Artists in the City.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/564e196ce4b0573c9084e710/1767618424739-75CDMLIM677BTZI5XLKC/Cyrilla_lg.jpg</image:loc>
      <image:title>Portraits 2010-2026</image:title>
      <image:caption>Cyrilla Mozenter, West Twentieth Street, Chelsea. 2010. Acrylic, colored pencil, ink, and staples on archival paper, 15” x 15.” From the series Artists in the City.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/564e196ce4b0573c9084e710/1767618309169-UD05P92ZY7QZ7APWJRON/JessieH_sm.jpg</image:loc>
      <image:title>Portraits 2010-2026</image:title>
      <image:caption>Jessie Henson, Veselka, East Ninth St., Lower East Side. 2010. Acrylic, colored pencil, ink, and staples on archival paper, 15” x 15.” From the series Artists in the City.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/564e196ce4b0573c9084e710/1767670785124-TB2JY76AGWGZ0B3HZJR6/Vera_face.jpg</image:loc>
      <image:title>Portraits 2010-2026</image:title>
      <image:caption>Vera. 2013. Ink on paper, 9.5” x 9.5.”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/564e196ce4b0573c9084e710/1767670983715-YNB1Y89FLFRDLFXOO57R/Dara_Mesa_1+copy.jpg</image:loc>
      <image:title>Portraits 2010-2026</image:title>
      <image:caption>Dara in the Bosque. 2019. Ink on vellum, approx. 8” x 10.5.”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/564e196ce4b0573c9084e710/1767670513029-97R3L6RYY15SC9ROCAUC/Daniel+full+crop+copy.jpg</image:loc>
      <image:title>Portraits 2010-2026</image:title>
      <image:caption>Daniel, Fajada Butte. 2017. Acrylic and colored pencil on paper, 46” x 40.” From the New Mexico Story Power series.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/564e196ce4b0573c9084e710/1767670567390-7LKVZZYNQHIHDHCFTMED/Daniel+medium+crop.jpg</image:loc>
      <image:title>Portraits 2010-2026</image:title>
      <image:caption>Daniel, Fajada Butte (detail). 2017. Acrylic and colored pencil on paper, approx. 28” x 32.” From the New Mexico Story Power series.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/564e196ce4b0573c9084e710/1767670620815-ANP5QD4JY9U3QRKRUFY3/Miya+panorama+medium.jpg</image:loc>
      <image:title>Portraits 2010-2026</image:title>
      <image:caption>Miya, Albuquerque. 2017. Acrylic and colored pencil on paper, approx. 22” x 32.” From the New Mexico Story Power series.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/564e196ce4b0573c9084e710/1767670633229-EJ2D8SUEXFBMTNTW6CGY/Miya+sq+closeup.jpg</image:loc>
      <image:title>Portraits 2010-2026</image:title>
      <image:caption>Miya, Albuquerque (detail). 2017. Acrylic and colored pencil on paper, approx. 14” x 12.5.” From the New Mexico Story Power series.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/564e196ce4b0573c9084e710/1767670683683-XGUP7AFN54FFI8MKQO3C/Mike+E+Detail.jpg</image:loc>
      <image:title>Portraits 2010-2026</image:title>
      <image:caption>Mike, Santa Fe. 2017. Acrylic and colored pencil on paper, approx. 22” x 32.” From the New Mexico Story Power series.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/564e196ce4b0573c9084e710/1767670736640-HBNX2RHH776Y6UFRZ0DM/Kendra+tight+crop.jpg</image:loc>
      <image:title>Portraits 2010-2026</image:title>
      <image:caption>Kendra, Counselor. 2016. Acrylic and colored pencil on paper, approx. 24” x 20.” From the New Mexico Story Power series.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.ashacanalos.com/page-cv</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-12-01</lastmod>
  </url>
  <url>
    <loc>http://www.ashacanalos.com/about</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-01-23</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/564e196ce4b0573c9084e710/0cff12bf-4d0b-41ce-befa-af5fb324e36a/_DSC4561.jpg</image:loc>
      <image:title>About - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.ashacanalos.com/news</loc>
    <changefreq>daily</changefreq>
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    <lastmod>2026-03-24</lastmod>
  </url>
  <url>
    <loc>http://www.ashacanalos.com/kendra-pinto</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-03-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/564e196ce4b0573c9084e710/1580345089126-B2PMYKBZ802LO21B4YPW/Kendra+tight+crop.jpg</image:loc>
      <image:title>‘This is Serious Stuff, This is Life- An Interview with Kendra Pinto.’</image:title>
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  </url>
  <url>
    <loc>http://www.ashacanalos.com/daniel-tso</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-03-30</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/564e196ce4b0573c9084e710/1580349166367-EZWLTMJOZZ9EFO9DGDZ3/Daniel+medium+crop.jpg</image:loc>
      <image:title>‘No One is Blowing the Whistle- So It Falls On Us- An Interview with Daniel Tso.’</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.ashacanalos.com/miya-kingflaherty</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-01-30</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/564e196ce4b0573c9084e710/1580346209199-NN8VMRUEIOUI94S407MF/Miya+sq+closeup.jpg</image:loc>
      <image:title>‘Go In Ready To Listen and Learn- An Interview with Miya-King Flaherty.’</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.ashacanalos.com/mike-eisenfeld</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-03-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/564e196ce4b0573c9084e710/1580347558271-6J2Z13CUJE3IMNWJ8EAS/Mike+E+Detail.jpg</image:loc>
      <image:title>‘One Minute You’re Losing Your Faith, the Next ...! - An Interview with Mike Eisenfeld.’</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.ashacanalos.com/people-plants-and-the-work</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-01-30</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/564e196ce4b0573c9084e710/1580361974924-78SV9BWPYKNND8O6ZSYF/Poster%2Bfront.jpg</image:loc>
      <image:title>People, Plants, And The Work That Lies Before Us</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.ashacanalos.com/curriculum-vitae</loc>
    <changefreq>daily</changefreq>
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